Alpha, Gritty, Sardonic
Think a female Boyd Crowder. She's a neo-futuristic cowboy lesbian. Flawed and vulnerable in her pain projected onto others, she warns of her need to possess opportunities.
Veronica leans into her angular, harsh features and her learned defensiveness as her brand. Building characters is central to the Warner Loughlin Studios where she has consistently been training. She creates the backstory and emotional memories while embodying what it means to sensationally live as the character. Veronica loves to create the humanity even in the most distasteful and cruel. She has empathy as everyone has their trauma and their vulnerability they attempt to overcome.
Below is a scene written and directed by Indy Gott called Delusions. When creating self tapes, Veronica looks at it as a one shot - and attempts to show her broader physicality and her ability to contain tension in a close up.
Veronica leans into her angular, harsh features and her learned defensiveness as her brand. Building characters is central to the Warner Loughlin Studios where she has consistently been training. She creates the backstory and emotional memories while embodying what it means to sensationally live as the character. Veronica loves to create the humanity even in the most distasteful and cruel. She has empathy as everyone has their trauma and their vulnerability they attempt to overcome.
Below is a scene written and directed by Indy Gott called Delusions. When creating self tapes, Veronica looks at it as a one shot - and attempts to show her broader physicality and her ability to contain tension in a close up.
